The first half of Ash is rife with opposite forces seeking precedence over the same interlocutor: Ash herself. Her stepmother attempts to erase the “outdated” influence of Ash’s mother and debt of her father; The Woods and the City vie for her attention; the unearthly faerie Sidhean lays claim to Ash’s dreams while thoughts of Kaisa, the King’s Huntress, preoccupy her mind during the day; the magic, mystery, and danger found in book-bound fairy tales utilized as an escapist balm for the cruelty, indignity, and misery of quotidian reality.
As such, Ash as a protagonist is precariously situated as a “child of two worlds” wavering between what the text implies are two inherently different choices: dark versus light, fae versus human, Sidhean versus Kaisa. However, considering Ash’s bisexual identity, this oppositional duality is potentially troubling because of its implication that Ash must choose, that these choices (male or female) are distinctive and transformative (in that the nature of the relationship will change Ash’s own nature). So with this in mind, is Ash as progressive as we initially thought? Is it positive representation, or reinforcing biphobic stereotypes, or both? How do we recuperate texts with problematic content?
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