A few days ago, I was discussing the story of Adam and Eve with a friend, and he sent me a link to a theatrical cutting of Mark Twain’s (translated) diaries of Adam and Eve. It was a short and fascinating piece, so I tracked down the full texts and have been reading them between homework and meals. Twain takes Eve in an intriguingly different direction from what little we see of her in Genesis, much like Pullman does, especially compared to the Adam and Eve we see in Paradise Lost.
So let’s look at these three Eves, shall we.
In Paradise Lost, we have the easily tempted Eve. This woman has inherent weakness to her and is an inferior creature to Adam. Milton considers her as less intelligent, vain, and separated from God. Really, she gets a lot of flack, and Milton seems to think all of it is well deserved.
In the diaries of Adam and Eve, we get an Eve who is lyrical and sweet. She’s a little annoying because she just has so much to say and go on about, and she also assumes that Adam might be less intelligent because he doesn’t like chattering back at her. Yet she’s charming. She adores the world around her, tries to be as helpful as she can, is strangely scientific, and is heartbreakingly lonely. She’s also very young. She doesn’t understand that the moon will come back the next night, and she thinks her reflection in water is a dear friend (which is a scene Milton uses to showcase Eve’s vanity).
Then, there’s Lyra. Fierce little Lyra who runs about on rooftops and tells lies so easily that she is renamed Silvertongue. She is a ruffian and a fighter, but a stuck up, not overly intelligent one. She also has a degree of compassion that makes her very brave when faced with things such as Tony Makarios without his dæmon. She is absolutely an immature child who might be growing up a little.
These are three very very different takes on who Eve is. So what does Eve, as a biblical figure, stand for? In Milton’s eyes, she stands for the instrument of Man’s Fall. Twain’s Eve doesn’t seem to stand for anything but a character in a story (or at least not where I am in the books). Pullman writes an Eve that practically spits in the face of Milton’s Eve in terms of agency and temperament. Is any one Eve more valid than another, and is it possible to reconcile all of these conceptions of Eve?
Leave a reply to ewingleo Cancel reply