Daemons Through a Sociological Lens

In The Golden Compass, a daemon’s form fixes after a person reaches a certain age. An interesting point made in a class discussion was, that by doing this, Pullman is implying that people cannot change once they reach adulthood. Once we “grow up,” we are left with a static personality—or a fixed daemon.

My question is this: Why did Pullman decide that a fixed daemon was only going to be one form?

In my Sociology class, we recently talked about presentation of self—the idea that instead of a “core-self,” we have multiple selves that we change between according to different situations. The fixing of a daemon is based on the idea that we all possess a “core-self.” Therefore, the sociological argument that there is no “core-self” contradicts the whole idea of a daemon fixing to one form.

If Pullman had written His Dark Materials with a sociological imagination, I’d like to think that the “daemon system” would have worked like this. Children’s daemons would be able to change into any form. Even if they grow older, the daemons wouldn’t fix to one form and instead would be able to change into a number of different forms that reflect the situational selves of each individual.

I understand that this system would have made His Dark Materials a much more complex story than it needed to be. Also, the daemons would have been harder to use as a means of narrative and characterization in the novel. But sometimes it is important to remember that while the author is to the book what God is to Adam and Eve, it doesn’t mean we cannot question his choices.

2 responses to “Daemons Through a Sociological Lens”

  1. While animals tend to be generalized or have generalized traits, they do have distinctive personalities (as many a pet owner will tell you). Could it be that a fixed “core self” dæmon would also display situational selves through personal expression similar to humans? For example, I might display different versions of myself in different situations, but they all still fit together into a single identity. Could the dæmon’s fixing be more of a settling into an identity while still allowing flexibility to express multiple situational selves?

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    1. I’m sorry I hadn’t replied to this comment! I totally agree with you that a daemon could display situational selves through personal expression as well. I just felt that the way that daemons were described in the book for some characters were quite one dimensional in that the general image of the animals matched only one aspect of the individual.

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